Tuesday, July 9, 2019

Roadfood by Jane and Michael Stern

Jane and Michael Stern are a (formerly) married couple who've become famous for their guide to roadside dining throughout the U.S.

Roadside attractions are such a popular topic in the media that you often see them featured on Facebook and Twitter, and on TV shows, and over the years (40),  Jane and Michael Stern have gotten a lot of publicity. Something reminded of this book which I had always meant to read. I knew the library would have it, and they did.

I was surprised to see that I have not been to even one of the restaurants listed in the book in my part of the world.

First of all, I don't know what my expectation of this book was exactly: I supposed I thought that there'd be roadside places, on major highways, sometimes in rural areas, and that the food would be cheap, delicious, and served in restaurants and roadside diners that would be kitschy in their name or appearance.

In the introduction to this edition, the Sterns explain that they coined the term "roadfood" to describe local eats around America. Their goal was to "get people to pay attention to what we considered a neglected national treasure: regional food." I haven't thought about this concept before. As I scan the "Roadfood Honor Roll: The 100" (the Sterns' top 100 picks from around the country) I see a lot of hot dogs, pizza, seafood and BBQ. I am the only person I know uninterested in BBQ but I love the other items. The Sterns' Illinois list surprised me. I hadn't visited any of their selections, even though I was familiar with a couple.

The guide lists Hot Doug's, a famous hot dog spot that was for several years an institution and which won awards. Sadly, it is closed. Its owner, the eponymous Doug, took orders personally and was a beacon for customer service.

Other mentions must include the famous Superdawg which does offer kitsch in the form of tall hot dog statues on the roof (can't miss it), and the Wedron Office, in Ottawa, Illinois (near Starved Rock State Park) and which offers whitefish. I plan to check it out.

Al's, which claims the crown for having invented Italian beef sandwiches, also makes their list. Italian beef really is a regional food in that I've had it many times but never at Al's. Here's a little article on Al's: https://www.eater.com/2014/7/8/6198993/the-italian-beef-sandwich-at-als-in-chicago


Sunday, February 10, 2019

Under the Sun (1998) /Sharp Objects (2018)

Under the Sun

This is a Swedish film, and the plot is familiar: a lonely farmer advertises for a housekeeper. What complicates things is that the farmer, played by Rolf Lassgard, has a friend. Perhaps predictably, the friend just doesn't fit into the new arrangements. But he's fascinating. What's so great about this film are the performances. They're all great and compelling to watch. I really enjoyed this.

Sharp Objects

Loved this. I thought it was so well done. The latter half of the miniseries had me on the edge of my seat at all times. It all seemed to so terribly, horribly, impossibly creepy and I found that I was completely frightened and confused by the twist ending even though I should have anticipated it. I found it quite dark, and found that it lingered in the back of my mind for days after watching it, so I really think it's not for everyone. Although I would not describe this as horror, I would say that if you don't like horror, or if you're a sensitive viewer, you should perhaps skip this.

Wednesday, January 30, 2019

Woman Chased by Crows by Marc Strange

Picked up this entertaining mystery as a used book sale in a library. Sadly, I learned after I finished it that the author, Canadian Marc Strange, a former actor, screenwriter and director, known for Beachcombers, died in May 2012.

He was the author of two mystery series, the Orwell Brennan series, and the Joe Grundy series.

Woman Chased by Crows is the second in the Orwell Brennan series. set in small-town Ontario. What I liked best about this police procedural was the presence of several strong female characters. Brennan has three daughters, and the upcoming nuptials of one is one element of the plot.

Detective Adele Moen ("Del") from Metro Homicide is just as cool as you would expect someone named after a beer to be, and her temporary partner is local Detective Stacy Crean ("rhymes with brain") who together are the two women assigned to a string of mysterious murders that afflict small Ontario town Dockerty. They're both really good detectives, and they're attracted to very interesting cases.

Another thing I really liked about this book is the author's evident interest in ballet. Ballet dancers, and their travels across the globe, are at the heart of this mystery.

At the heart of the mystery is a teacher and former almost-prima-ballerina, Anya Daniel. She's a survivor, but that's not what's most interesting about her, nor her former career as a dancer. It's her raw determination. (After you recover from your sense of shock, you might feel some admiration for her - and the two detectives who save her life.) If you're interested in this novel, you might want to read the first book in the series, Follow Me Down, first.

Wednesday, January 9, 2019

The Guards by Ken Bruen

Image result for john hinde postcard galway
(This image is from John Hinde postcard collection.)
I found this crime fiction novel delightful. Funny in a wry way, with lots of slang (not all of which I understood), plenty of drinking, plenty of action, and an interesting assortment of characters besides Jack Taylor, the ex-Garda.

Jack's a drunk - no doubt about it. But that's not all he is. After getting the boot from the Garda, he becomes an unofficial private detective. He views himself as a "finder" rather than a detective, and he holds court in his unofficial office, Grogan's, a public house in the old style. (Decorations limited to a blotchy mirror and crossed hurling sticks.)

Jack really loved his father, a peaceful man who gave Jack his love of reading, and who's recently passed away. Jack knows he needs a change, and he's dreaming of finding a flat in Battersea, and, as he says, "waiting." In the meantime, a woman approaches him in Grogan's and asks him to investigate the death of her daughter, ruled a suicide. Jack's adrift and this new case brings with it a number of complications.

What's so great about this novel is that it's funny and lively all the way through, and very easy to read. Its tone reminds me of that of Get Shorty, the film made of the Elmore Leonard novel. This novel's chapters often open with an epigram: three of them are from Elmore Leonard, T. Jefferson Parker and George Pelecanos, and Bruen name checks John Sandford for good measure. If you're a fan of these authors, I think you'll like Ken Bruen, too.

There are quite a few twists in the plot, right up to the end. Most, not all, of this twists have to do with unanticipated deaths. Yes, by the end of the book you could joke that Galway is the murder capital of the world but I will say these deaths seem organic; these deaths seem like a natural outcome of the surrounding circumstances and characters.

MY TBR list

Well, I was quite excited when my copy of The Longbourn Letters by Rose Servitova arrived in the mail the other day.

I'd read an excerpt on Twitter and that excerpt reminded me of Laurence Sterne. I felt that was reason enough to read it.

It's only 147 pages long. Just the sort of thing I like.

I felt I couldn't quite get started reading it, though, because I still had a book checked out from the library: The Guards by Ken Bruen. I've just begun it, and I must say, it sure starts with a bang:

"It's almost impossible to get kicked out of the Garda Siochana. You have to really put your mind to it. Unless you become a public disgrace, they'll tolerate most anything.

"I'd been to the wire. Numerous

    Cautions
    Warnings
    Last Chances
    Reprieves

"And still I didn't shape up.

"Or rather, sober up. Don't get me wrong. The Gardai and drink have a long, almost loving relationship. Indeed, a tee-total Garda is viewed with suspicion, if not downright derision, inside and outside the force."

I love the word derision.

And the first chapter is only four pages long.

I know I'm going to enjoy this book.

I've also lately been reading The Real Jane Austen: A Life in Small Things. I'm loving it. Each chapter has a theme: an object from Jane Austen's life. On this framework, Byrne rests a great deal of biographical information. It's a clever structure: it's roughly chronological but allows her to move back and forth in time, offering themed biographical chunks without having to apologize for the things that are not known about Austen's life.

I went to a library book sale in October and picked up three Commissario Montalbano novels, safely stowed on the stairs; two culinary mysteries, a gift for a neighbor, Woman Chasing Crows by Marc Strange, and a book that got lost and was just rediscovered: Black Star Nairobi, by Mukoma Wa Ngugi. Also, have recently rediscovered my copy of the Wright 3 by Blue Balliett.

1/18/19

I also started reading Mad, Bad, and Dangerous to Know: The Fathers of Wilde, Joyce and Yeats, by Colm Toibin. I didn't start at the beginning (oh, yes, I did - I forgot), read all the way to the end, all while exercising care not to overlook anything salacious. But, I did read a good chunk of the chapter that interested me most, the chapter on John Butler Yeats. I suppose that was partly because I have the most nagging curiosity about the life of William Butler Yeats (if only I would apply myself), and naggingest little corner of that curiosity is Yeats' mother. She seems to have been an invisible woman. And John Butler seems to have been a biographer's dream: cantankerous, inconveniently, insistently independent, unembarrassed.

Sadly, did not get far before learning that my book club has selected Ruth Bader Ginsburg: A Life, by Jane Sherron De Hart. Very long: more than 700 pages. Clearly written, but slow reading for me: took me hours to read the first 100 pages. But very, very interesting.


Monday, December 31, 2018

Knots and Crosses by Ian Rankin

This novel is the first in the Inspector Rebus series, by Ian Rankin. I saw Ian Rankin interviewed on a book talk show. Rankin said that he enjoyed using crime fiction to talk about social issues. That made me want to read his work. He's also a bestselling author.

In Knots and Crosses, Rebus is part of a task force working on the murders of two girls. The investigation is not going well; the police believe that there must be some common link between the girls, some way that they are coming into contact with the serial killer. But despite hundreds of hours of interviews of neighbors and people who knew the girls, they can't discover the how the killer is picking his victims.

Rebus is having a tough time in his life; he's divorced from his wife and his daughter, now 12, is living with his ex-wife and he when he does spend time with his daughter he finds it hard to connect with her. The police are stymied; they continue to interview neighbors and people who knew the victims but they can't discover the how the killer is picking his victims.

Rebus is having a tough time in his life; he's divorced from his wife and his daughter, now 12, is living with his ex-wife and he finds it hard to connect with her.


His father has recently died, and he's not close to his brother, Michael, a stage hypnotist. He barely knows Michael as an adult; when he drops in without calling to visit his brother,

He's ex-Army, but he never talks about his Army years. His career in the police has not been easy; the Army got him his job and the other cops know this and resent this.

He doesn't want to be assigned to the task force, partly because he has other cases on his plate, but also because he understands that he's likely to be assigned to go door-to-door to interview neighbors, looking for any kind of clue, and that's he likely to be assigned to review old case files on individuals who have been suspected on crimes in the past. Sure enough, he's assigned to file review duty and just hates it.

Rebus is trying to form a new relationship with a colleague, Gill, someone he knows from work but connects with at a party.

This mix of loneliness, frustration, and stasis mark the first half of the novel. In the second half of the novel, the action picks up quickly and becomes very exciting. The trauma that Rebus suffers from the Army is explained, and as the action resolves it's easy to see the point that Rankin wanted to make.

The "missing connection" the police finally discover is rather moving, in its way. Surprisingly, I found this novel cheering and impressive. Rebus often ruminates on the history of crime in Edinburgh (and notes with contempt the tourists photographing the statue of Greyfriars Bobby). Edinburgh is a city known for the flowering of the Englightenment that took place there in the 18th century (so amazing in that even today, Edinburgh has only 500,000 people living there, and Scotland's status as an independent nation had been under attack since James VI became James I, and certainly by the time of the Act of Union in 1707); in a way, I see this novel as an assertion of the value of those ideals.

Monday, October 8, 2018

Their Eyes Were Watching God by Zora Neale Hurston

"Ships at a distance have every man's wishes on board." That's the wonderful first sentence of  Zora Neale Hurston's Their Eyes Were Watching God. LOVED this book. It moved me when I didn't expect it to. I cried at the end. I wasn't expecting that I would feel so emotional about it, but I did. It's a psychologically acute novel that has a very uplifting ending. I think I was a little surprised to discover that this novel is about romantic love and its importance in the life of protagonist.

It did remind me of The Color Purple, which I read years ago, before the movie was made - and which I also loved, and which I also found uplifting.

One difficulty that I had reading the book is that there is a lot of regional dialect and slang. The dialogue is rendered phonetically and I found that I sometimes had to sound it out to understand exactly what the characters were saying. I found that I did want to know exactly what the characters were saying. There were a few times that I ran across words that I did not recognize and did not understand the meaning of simply from context, but it didn't prevent me from making a good guess based on the context. I understand that some readers would find this very challenging. I think that curiosity drove me, and the instinctive sense of identification I felt with Janie, the protagonist.

I've always wondered what the meaning of the phrase, "Their Eyes Were Watching God," was. I found out when I read the book, of course. Late in the book, the characters are caught in a hurricane - a bad one, like Hurricane Florence. As the people who've chosen to remain behind hear the wind howl they begin to understand how cataclysmic the storm is that's coming. They're waiting to see just how bad it is going to be, and they're terrified: their eyes were watching God.

Janie and Tea Cake are attempting to wait out the storm in their home:

    "The wind came back with triple fury, and put out the light for the last time.
     They sat in company with the others in other shanties, their eyes straining
     against crude walls and their souls asking if He meant to measure their
     puny might against His. They seemed to be staring at the dark,
     but their eyes were watching God."

The description of the hurricane feels very realistic, and it reminded me of the news reports we've heard lately about hurricanes striking the U.S. coast. In fact, Hurston's account was inspired by the 1928 Lake Okeechobee hurricane, which you can read about it on Wikipedia if you're interested.

Their Eyes is an affirming novel. Janie is raised by her grandmother, a former slave. When, at 16, Janie becomes interested in boys, her grandmother is afraid for her. In response, her grandmother, Nanny, marries Janie off to an older farmer. To Janie's grandmother, formal marriage to a land-owning farmer who can offer Janie financial security is the best way to protect Janie. Janie, on the other hand, is unhappy. She has ideas about love her farmer husband does not fulfill.

She meets a man, Jody, who has money and is ready to buy property and settle down. He wants Janie to run away with him. She is impressed by his self-confidence and leaves her husband. Her husband's parting words to her are an admonition that her life with him was safe and she'll regret abandoning the security he provided her.

Her marriage to Jody lasts twenty years. She soon finds that Jody is proud of his position in town (he becomes a property owner and mayor) and Jody insists that Janie cover her hair, and not participate in the conversation and gossip that takes place on the porch of Jody's store, where Janie works. Janie sees that Jody has very fixed ideas about how she should behave, and she finds them constricting. To her, Jody's ideas about his social status and her behavior prevent her from feeling loved or free.

Towards the end of their marriage, Jody and Janie have a fight in which she laughs at him. This is so hurtful to Jody that he withdraws from her. He sickens and dies, while trying to exclude Janie from his care.

When Janie attends Jody's funeral, she's honest with herself about the fact that she did not love her husband and certainly did not feel loved by him but puts on the social face that her community expects of her.

After her husband's death, she is wealthy and independent, having inherited her husband's property. Many men come courting her, telling her how sad it is for a woman to be alone and how necessary it is for a widow to remarry. Janie's not interested in any of this men. One day a man called Tea Cake visits her at the store. He begins to court her. He is younger than she is, and she finds his interest in her intriguing although she tries to talk herself out of having feelings for him. The neighbors are alarmed. Her best friend, Pheoby, tells her a cautionary tale about another widow who was exploited for her money and abandoned when her love had spent it all. Janie feels apprehensive about Tea Cake.

Tea Cake is a laborer and a gambler who takes Janie fishing and to social events. Janie begins to fall in love with him. Eventually, they go together to the Everglades, where they are the social center of a seasonal community of migrant workers. Janie sometimes takes care of the house, and sometimes works in the fields with Tea Cake. Janie feels that Tea Cake really loves her, and that this relationship is the one that she dreamed of as a girl.

After two years, a hurricane hits their community. As their home is flooded, they flee. A gust of wind blows Janie off the dyke they are traveling along and into the rising, swift-moving water as they try to get to Palm Beach. Tea Cake manages to save her but is bit by a rabid dog in the process. They reach Palm Beach and the storm ends. They think that they are safe but Tea Cake is dying. As he sickens, he becomes volatile and violent. Finally, Janie is forced to shoot him in a violent confrontation.

Janie believes she was really happy with Tea Cake. When Janie and Tea Cake are trapped in the hurricane, Tea Cake turns to Janie and asks her if she regrets staying with him when many of their neighbors left in advance of the storm. She replies:

       Naw. We been tuhgether for round two years. If you kin see de light
       at daybreak, you don't keer if you die at dusk.  It's so many people
       never seen de light at all.  Ah wuz fumblin' round and God opened the door."

She mourns Tea Cake but is comforted by knowing that they really loved each other. Tea Cake has made her feel deeply satisfied, and she feels validated, in a way that she never had in her two marriages. She returns to the town where she lived with Jody, and tells Pheoby the whole story.

Janie tells Pheoby:

     "Love is lak de sea. It's uh movin' thing, but still and all, it takes
     its shape from de shore it meets, and it's different with every shore." 

In her bedroom that night, Janie thinks about Tea Cake:

     "The day of the gun, and the bloody body, and the courthouse came
     and commenced to sing a sobbing sigh out of every corner in the room;
     out of each and every chair and thing.  Commenced to sing,
     commenced to sob and sigh, singing and sobbing. Then Tea Cake came
     prancing around her where she was and the song of the sigh
     flew out of the window and lit in the top of the pine trees,
     Tea Cake, with the sun for a shawl.  Of course he wasn't dead.
     He could never be dead until she herself had finished feeling and thinking.
     The kiss of his memory made pictures of love and light against the wall.
     Here was peace. She pulled in her horizon like a fish-net. Pulled it from
     around the waist of the world and draped it over her shoulder.
     So much of life in its meshes! She called in her soul
     to come and see."

The Great American Read PBS show recently finished; it was seeing Their Eyes Were Watching God that reminded I've been meaning for a long while to read this book, and inspired me to finally undertake this work. At the end, the results of a months-long voting for the most popular novel was revealed. Their Eyes Were Watching God came in at #51. I wonder if it would have even been that high on the list had Dr. Gates not encouraged viewed to read this book. I can think of tons of reasons why it's not higher on the list, but I can of one really great reason for it to be on the list: I'm nothing like Janie Crawford. I think I loved this book because, perhaps because Jody takes Janie to live in a community that is entirely African-American, or perhaps for some other reason, Hurston seems to me convey an appreciation for community that is reflected in her storytelling. Perhaps it's also reflected in the Janie's wish to socialize on the front porch, and in the "sass" she has to share with her neighbors and her husband. She's telling a woman-centered story. Janie's  journey to self-actualization moved me greatly and gave me joy.

Note: The 2000 edition of this novel that I checked out from the library has a forward by Edwidge Danticat, the Haitian-American novelist, and a note on publication history by Richard Wentworth, a former director of the University of Illinois Press.

Danticat details her personal history with the novel: Danticat attended Barnard College, where she studied the novel for the second time, and which Hurston herself had attended. Danticat notes with pride that Hurston wrote the novel while in Haiti, and somehow found time for it amid her work as an anthropologist. Danticat points out that one of the strengths of the novel is its communal quality. I sense this, without being able to point out exactly how this is so (perhaps in part because the town Jody brings her to live in is an all African-American community). Danticat reports that students in her class debated whether Their Eyes should be regarded as a story of adventure, and I agree that it should My very favorite part of Danticat's account of her own personal relationship with the novel is that she reports that she first read the novel in high school, in an elective black history class at Clara Barton High School in Brooklyn, in a class taught by a teacher during his lunch hour. It reminds me of how moved I was when I bought a compilation of Anita O'Day's albums issued by a couple in Bristol using their garage as as their office. I think a lot of people think that culture is for other people. To me, it's for all of us and the work that we do to preserve and celebrate culture may go unnoticed but is heroic and important.

In the "Note on publication history," Wentworth writes: "The story of how the University of Illinois Press became the publisher of Their Eyes Were Watching God is one of the most interesting publishing stories of recent decades. In the 1970s, the University of Illinois Press published the African-American poet Michael S. Harper, who passed the word that a friend of his named Robert E. Hemenway was working on a major biography of a neglected African-American writer, Zora Neale Hurston. Professor Hemenway's book was indeed major and compelling, so the University of Illinois signed him up and published Zora Neale Hurston: A Literary Biography in 1977. Professor Hemenway also advised his editor that it would be a good idea to acquire the rights, if possible, to Hurston's most important book, Their Eyes Were Watching God." The Press did acquire the rights, and published Their Eyes, and in ten years sold 350,000 copies, a big success for an academic press. Wentworth goes on to explain that the foundation for this success was Hurston's rediscovery by African-American writers in the '60s and '70s and especially by Alice Walker who wrote an important essay about Hurston's work for Ms. Magazine, "In Search of Zora Neale Hurston." A petition to reissue the book was also circulated at the Modern Language Association  Convention in 1975. I want to share this story because it makes me feel hopeful, and because it shows the important role that cultural institutions have in our shared life.

A friend suggested that I read "Looking for Zora," Alice Walker's 1975 essay (published in Ms. Magazine) about visiting Zora Neale Hurston's home town. If you have any interest in this novel or its author, I recommend you read it: it's available as a .pdf Google document on the internet. It's a great essay: it's a road trip story, very entertainingly told. For me, it explains so much about Their Eyes Were Watching God. I see that Janie's community was based on large part on the all-African-American town that Hurston grew up in, and that Janie's husband was based on the real-life mayor, and that Janie herself was likely based on part on a woman Hurston knew and who Alice talks to on her trip. This essay was instrumental in reigniting interest in Hurston's life and work.

The edition I read has a introduction by Edwidge Danticat, and in her introduction, Danticat mentions that some are skeptical about Hurston's claim that she wrote Their Eyes in six weeks while visiting Haiti. Gosh, I do not feel skeptical about that claim. It seems to me that Their Eyes tells the story of the people Hurston grew up with and is a kind of literary foundation myth. I imagine that being in a country like Haiti, where everyone is descended from the African disapora would have reminded Hurston of her own home town. With that inspiration, I think it might have been very easy to think up the story and fill it with fictional portraits. 

Monday, July 16, 2018

Favorite romance movies

I love lists, and I also love the idea of having a handy list of things to consider for a rainy afternoon or to recommend to others. So I thought I'd put together a list of favorite romance movies. It's heavy on period drama but in other ways is kind of eclectic.

1. definitely, maybe

Great cast: Ryan Reynolds, Abigail Breslin, Rachel Weisz, Elizabeth Banks, and Isla Fisher. Derek Luke plays the roommate. To me, this is a "grown-up" romance, one that acknowledges grown-up issues like job loss and divorce, and most of all, offers a touching love story in the relationship between the protagonist and his 10-year-old daughter. That's the center of the film and its most satisfying component (besides the fact that the daughter has the most wonderful bedroom ever, with white Christmas lights wrapped around her bed). This film had me at "hello": the titles sequence begins with Sly and the Family Stone's "I Love Everyday People".

2. True Romance

Despite its title, a film with quite a bit of violence and some grit. Patricia Arquette and Christian Slater are the lovers on the run. Most memorable is James Gandolfini's breakout performance as a gay hitman who's a good listener.

3. Pride and Prejudice

1995 edition. Because: Colin Firth. That's a bit of a glib remark and while entertaining, and true, not quite sufficient. There's many reasons to like this adaptation. One, I think, is because the novel is served far better here in a longer adaptation meant to convey the sexiness that the reader understands. The performances are fantastic: Firth and Ehle, but also Alison Steadman, Ben Whitrow, David Bamber and many others. It was so fun to see Lucy Briers (Mary) again in Parade's End. Some have criticized Steadman's performance for being too broad but I feel that it underscores the humor that may not always be obvious to readers and viewers that are new to Austen. This film contains my favorite Austen quote, here in the mouth of Mr. Austen: “For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

I think that sums up the humor of Pride and Prejudice, and how a domestic drama about a few families in a village can contain worlds of psychological truth and humor.


4. North and South

If you loved Pride and Prejudice, you will also love North & South, adapted from Mrs. Gaskell's novel, with Richard Armitage and Daniela Denby-Ashe, which has many similarities in the unfolding of its love story. Sinead Cusack gives an outstanding performance as Richard Armitage's mother; her unwavering firmness feels real and gives the love story some ballast.

5. Persuasion

Also 1995. Persuasion is my favorite Austen novel, with its promise of second chances. Another wonderful cast, directed by Roger Michell: Amanda Root, and Ciaran Hinds, in the leads, along with Sophie Thompson, Susan Fleetwood, Corin Redgrave, Fiona Shaw, Samuel West, John Woodvine, Robert Glenister, Richard McCabe, Phoebe Nichols, Simon Russell Beale. I loved Susan Fleetwood as Lady Russell, and Sophie Thompson's Mary was a revelation: she's the best Mary I've seen. Samuel West was the perfect Mr. Eliot. I understand that Austen rewrote her first draft of this novel and greatly lengthened the ending, including Captain Wentworth's climactic letter: 

You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.

It's impossible to imagine the novel without this letter. (I recently read that after Austen had completed the novel, she picked it up again, revised it completely, and gave it this new ending.) Good grief! The movie's worth watching for this alone.

It was filmed in Bath, a beautiful city filled with Georgian architecture, another reason to watch.

6. Vintage films:

It Happened One Night
My Man Godfrey
The Little Shop Around the Corner
Ball of Fire
The Lady Eve



Wednesday, June 13, 2018

White Houses by Amy Bloom

A few years ago, when Amy Bloom's last novel, Lucky Us, came out, I read an interview with Bloom in which she said that her children said about her work: "It's always about sex and death." I thought that sounded intriguing.

So when my book group chose White Houses to read, I looked forward to it. 

White Houses is historical fiction, about the relationship between Eleanor Roosevelt and her lover, the newspaper reporter Lorena Hickok.

I didn't like the beginning. The scene in the opening chapter takes place just after the death of Franklin Roosevelt, and Eleanor and Lorena meet again after having been apart for some years. This scene emphasized the class difference between Eleanor and Lorena: Eleanor enters the apartment and sheds her clothes as she walks through it; Lorena follows, picking up Eleanor's clothes off the floor and hanging them up.

But I found as I read on that this novel was a compelling read. There's a tremendous amount written about the life of Eleanor Roosevelt, and Bloom seems to have read it all. It's clear she did a great deal of research. The narrative is full of observations about Eleanor's life, the many people she knew, and the many things she did.

We also learn about Lorena's hardscrabble rural background. This interest in the Depression and the period before it reminds me that Lucky Us was set during the depression (and partly in Hollywood).  

There's an interesting contrast, to me, between Lorena's deeply practical nature and the richness of Bloom's language. Bloom is a wonderful writer, and her prose just pulled me along.

Hereditary

I enjoyed seeing Get Out so much last year that I decided I'd take a chance and go see Hereditary. I really enjoyed it. I thought Toni Collette and Gabriel Byrne's acting was very good, and that quality of verisimilitude made the story much more scary. But, it's not too scary. In my view, just the right amount. I'd definitely recommend it.

Friday, June 8, 2018

The Book Thief by Markus Zusak

I skimmed this book last night. It's one of many on the list for the Great American Read, and one of many on that list that appeal to teens and young adults, and are suitable for parents and teens to read together.

I skimmed it because I read the first five pages or so and realized that I quite disliked the idea that the narrator of the book is a supernatural figure that invisibly gathers souls. It reminded me a little bit of The Lovely Bones, which was enormously popular at the time that I read it. This novel has been a bestseller for a very long time.

And, in fact, the framework of the narrator who sees things from above, led me, as I was reading, to see the book in very cinematic terms. In fact, as I skimmed the book there were many times that the mental pictures formed in my mind were similar to crane shots. I know that this novel was made into a movie a few years ago, and I think I'd be interested in watching the movie to see how the filmmaker's mental pictures compared with my own.

This book has been loved by many, but I imagine will not appeal to everyone. As a work of imagination, I admire Zusak's novel very greatly. I also admire that the Hubermanns were both ordinary and heroic; their story was lost as many stories have been lost. Zusak gives that lost history a record.


Monday, May 21, 2018

The Great American Read by PBS

PBS is showing an eight-part series, hosted by journalist Meredith Vieira, that be shown from May to October. The objective of the series is to get folks to read. A list of 100 books is available at the series' website. Viewers will be encouraged to read titles they haven't read before, and to vote for their favorite book.

The list was created by allowing 7200 folks to vote. I've just looked at the list of 100 titles, and I see that I've read 40 of the titles on the list. There are many YA titles, like the Hunger Games and Twilight, which I've never read. I did not include Harry Potter on my list, as I've only read the first book.

As I was going through the list, I realized that I would often come to a title, and look at it rather stupidly before remembering that I had read it and should include it on my list.

At least seven of the titles were titles that I'd read for school; many more I'd read just because I wanted to. And I had read two classic YA titles, C.S. Lewis Narnia books and Tolkien's The Lord of the Rings. My recollection is that I'd just scarfed these books up. I remember reading Gulliver's Travels as a child and then again in our Augustan Age class; of course, I understood it much better as an adult but recognized, somehow, that I felt at sea and wondered what it was that I was missing.

The list does seem to me to be heavy in YA favorites: The Giver by Lois Lowry, Looking for Alaska by John Green, The Book Thief by Markus Zusak, and Ready Player One by Ernest Cline.

Here's the entire list: http://www.pbs.org/the-great-american-read/books/#/. See how many you've read.

I think I'm definitely going to read at least one book, and perhaps it will be Looking for Alaska or perhaps the Book Thief or Their Eyes were Watching God. Years ago I read a short story by Zora Neale Thurston and I think for that reason I've been wanting to read Their Eyes for some time.

I think this is quite an ambitious project, and I love it. I look forward to participating. If you'd like to find out more about the show, here's the show's website: http://www.pbs.org/the-great-american-read/home/. The first episode will be shown here on Tuesday night at 8 pm.

Don't forget to vote for your favorite on the list. It's possible to vote every day!

Thursday, May 17, 2018

Columbine by Dave Cullen

Read this book for my book group, very reluctantly. I just have never been interested in crime stories.

My book group rated it very highly: they valued the quality of the writing, the quality of the research behind it, and the wide-ranging aspects of the reporting.

I couldn't help wanting to consider the public policy implications of what Cullen had to say about the events of that day. A mental health professional and researcher Cullen spoke came to believe that both shooters, Harris and Klebold, had undiagnosed mental health illness. Harris was a narcissistic psychopath (the shooting was originally intended to be a bombing and to demonstrated his superiority) and Klebold suffered from depression and perhaps other mental health illness. I'm grossly simplifying.

The public policy implication I inferred from the reporting in this book is that school shootings are a significant public health problem deserving of public investment. Money should be spent on research and on educating the public about the kinds of signs that troubled teenagers (and others) may display before a shooting event. Further, there is a need for school shooting reporting to be less sensationalistic (to some extent, I think the frequency of school shootings might cause that already to be happening). I recall that in The Tipping Point, Malcolm Gladwell reported a phenomenon in a South Sea island community, in which suicide had become contagious among teenagers. I think this "contagion," this impulse for teenagers to imitate each other, is very profound. We should be aware of it and act accordingly. I think that response should include not publicizing school shooters because giving school shooters notoriety is part of the problem. Although Cullen did not address this topic, I think that there is a need for a greater institutional response, including trainings, about shootings of this kind and how public administrators and front line public service providers should respond.